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TALES FROM THE GIBBET

history

It is said that 'Les bals des victimes', or 'The victims' balls', were soirees put on by dancing societies after the period known as the 'Reign of Terror' during the French Revolution.

The victim's ball

As the first solo Project from the twisted mind of Roberto Massaglia of 'The Tenth Stage', 'The Victim's Ball' comes as dramatically fitting approach to the theme of the French Revolution. A mix of early classical music, dark cabaret and "Phantom of the Opera" epic scores, 'The Victim's Ball' explores in theatrical and yet "tongue and cheek' tones, the dark and hidden side of human history. Through tales of despair, horror and rebellion, you will take heed a rare mix of instruments from church organs to hurdy gurdys, in conjunction with guest collaborations from other sick minded artists.

news

Oct 2012

New release

The songs on the fourth album of The Victim's Ball, "Tales from the Gibbet", follow Massaglia's trademark narrative lyrical style. All the tracks compiled in this album are based on narratives, tales and nursery rhymes of the macabre past, re-told by The Victim's Ball.

All tracks written and produced by: Roberto Massaglia except: "Funeral Music for Queen Mary" – by Henry Purcell, "The recollection" – remix by Dave Foreman, "Ordo Fratrum Minor" – original track by Verney 1826, remixed by Roberto Massaglia, "Captain Macheath spirit" – by Verney 1826, & The Victim's Ball, based on "The Beggar's Opera" by John Gay and "La Journée sera rude" by Greg Jones and The Victim's Ball.

A digital release can be also purchased from cdbaby.com, iTunes and Amazon stores.

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